BIGFOOT

Fast-talking Jasper B. Hawks drives through the forest in his car, along with his sidekick Elmer Briggs. At the same time, pilot Joi Landis pilots a single engine aircraft over the same area. Joi's engine conks out, and she is forced to parachute to safety. On the ground, she suddenly encounters a Bigfoot creature that emerges from the woods and attacks her.

Laconic biker Rick rolls into the woods with his girlfriend Chris. She stumbles onto a Bigfoot burial ground and is also attacked by a Bigfoot.

A skeptical Sheriff's department and the ranger's station are notified of the women's disappearance, but to no avail; the authorities make a half-hearted search for the missing women and give up. Rick seeks help elsewhere, but only Jasper B. Hawks believes his story, offering aid only because he plans on capturing a Bigfoot for later live exhibition in a freak show financed by an insane professor of biology, Professor Blackthorne.

Meanwhile, Peggy is also attacked and tied up to a tree next to Joi. The Bigfoot creatures, it turns out, are half-human and the offspring of a larger, 12-foot tall male Bigfoot and have only been guarding the women for him. "Dad" Bigfoot finally shows up and fights a big bear menacing the captured women, while they scream in terror.

Jasper, Elmer, and Rick trek through the woods until they reach the Bigfoot lair. "Dad" Bigfoot is gassed by Rick's bikers, and as planned gets put on display in Jasper's previously mentioned freak show. As it turns out, he is able to escape captivity rather quickly, while in the process stepping on local drunk, "Lucky Bob", killing him. "Dad" Bigfoot goes on a rampage through the town before finally returning to his cave. There, he eventually gets blown up by one of Rick's dynamite-wielding bikers.

His freak show prize now lost to him, Jasper paraphrases a line of dialog from the original King Kong (1933): "It was beauty that did him in". With "Dad" Bigfoot now dead, everybody returns to their normal lives.

The giant Bigfoot is killed with dynamite after escaping captivity and rampaging through town, allowing everyone to return to their lives.

The ending wraps the chaos with an explosive showdown, ultimately reducing the terror of Bigfoot to an unfortunate casualty of human interference and greed. Jasper’s King Kong wink reinforces the film’s tongue-in-cheek approach to monster movies, suggesting beauty—and exploitation—ends up destroying the beast. As the dust settles, the world shrugs off the madness, a sly nod to the fleeting consequences of such creature features.