Bruce Kessler, born in 1936, is an American director known for his work in cult cinema. He directed Simon, King of the Witches (1971), a film that explores the intersection of witchcraft and the occult, showcasing his distinctive vision in the genre. Kessler's background as a racing driver adds an unexpected layer to his storytelling, infusing a sense of speed and urgency into the narrative. His contributions to cult film highlight a fascination with the mystical and the bizarre, making him a notable figure in the realm of exploitation cinema.
The Gay Deceivers
Danny and Elliot, two friends who try to get out of the draft by pretending to be gay. They're placed under surveillance by the Army and have to keep up the pretense. They move into a gay apartment building and try to blend in with the residents, all the while trying to maintain their romantic relationships with women and not get caught by the Army. The twist is that even after the pair are caught, they are not inducted into the military. The Army investigators assigned to watch them are themselves gay and are trying to keep straight people out of the Army.
