Margherita Horowitz, an Italian actress, made her mark in the 1970s with a series of roles in cult cinema. She is known for her performances in The Cat o' Nine Tails (1971), where she navigates a labyrinth of mystery and suspense, and Salon Kitty (1976), a controversial film set in a wartime brothel. Her work in Nazi Love Camp 27 (1977) further cements her place in the realm of exploitation cinema, showcasing her ability to engage with provocative themes. Horowitz's contributions to these films highlight the audacious spirit of the genre.
The Return of Halleluja
Hallelujah (Hilton) is hired by an incompetent Mexican revolutionary (Roberto Camardiel) to recover a lost Aztec idol, with which he will be able to elicit the help of the native tribes in his hapless uprising. However, such a powerful symbol has it’s attractions for a wide range of other individuals, most notably a chubby proto-capitalist who sees it as an opportunity to gain rites of export exclusivity in the gold trade by selling it to a rival commandant. Also along for the ride are kilt-wearing Archie (Lincoln Tate) and his erstwhile partner Fleurette (Agata Flori), who are also out to make a quick dime.
