Michael St. Angel, an actor active in the 1950s and 1970s, brings a distinct flair to the world of cult cinema. In The French Line (1954), he embodies the charm of the era, while his role in Doctors' Wives (1971) showcases the evolving narratives of adult relationships in the early 70s. His performances reflect a time when cinema was exploring new boundaries, making him a notable figure in the landscape of exploitation and grindhouse films.
Doctors' Wives
When Lorrie Dellman announces that she has slept with her friends’ husbands, jealousy erupts into violence. As two victims fight for life in the hospital, the surrounding couples confront the secrets poisoning their marriages. The wives of several high-powered doctors feel neglected due to their husbands' focus on their careers, so they embark on a regimen of sex, drugs and booze. An all-star cast drives this glossy combination of soap opera and murder mystery, heavily drenched in booze and sex. Feeling neglected, one of the title characters decides she’s going to sleep with all her husband’s friends… but when she’s suddenly killed in the act, all of the wives’ clandestine activities begin coming to light. Dyan Cannon, Gene Hackman, Richard Crenna, Carroll O’Connor, Rachel Roberts, Janice Rule, Ralph Bellamy, Scott Brady, Richard Anderson and many more round out the cast. Dysfunctional marriages of several unhappy rich doctors who work at a private clinic and their neglected wives who deal with their own unhappiness in various ways enter crisis mode when one of them murders his cheating wife.
