Carlos Romero Marchent, a notable figure in Spanish cinema, made his mark in the 1970s with a series of roles in cult films. He appears as a formidable presence in Dead Men Don't Count (1968) and Santo Versus Doctor Death (1973), showcasing his versatility in the realm of exploitation cinema. His performances in Arizona Colt Returns (1970) and Sartana Kills Them All (1970) further solidified his status within the spaghetti western and giallo genres. Marchent's contributions to films like Cut-Throats Nine (1972) reflect the gritty, raw energy that defines much of the era's cult classics.
Arizona Colt Returns
Famed gunman Arizona Colt is living in near-isolation with his friend Double Whiskey. After learning that he has a bounty on his head he decides to go back to town and square things up. Shortly after faking his own death, Arizona is subsequently asked by the wealthy landlord Moreno to rescue his daughter from the grips of Arizona's old enemy, Keene, who was also responsible for framing Arizona and setting him up for the bounty in the first place. Arizona refuses at first, thinking to settle down with the beautiful bartender Sheena. But after his friend Double Whiskey is captured by Keene, Arizona decides to face the challenge. Nevertheless, certain complications make his mission far more dangerous than expected.
