Filippo Walter Ratti emerged as a distinctive voice in Italian cinema during the 1970s, directing films that delve into the darker aspects of human desire and morality. His work in Night of the Damned (1971) showcases his ability to blend horror with social commentary, while Crazy Desires of a Murderer (1977) explores the complexities of obsession and violence. Ratti's films contribute to the rich tapestry of cult cinema, offering a unique perspective on the exploitation genre that resonates with fans of the macabre.
Night of the Damned
Jean Duprey and his wife Danielle are famous journalists with a special interest in unsolved mysteries. They receive a request of help by an old noble friend of Jean, Guillaume de Saint Lambert, who is about to die by an unknown illness. He lives, obviously, in ancient castle with his wife and the servants. Soon Duprey discover that his friend’s wife is a witch (originally burnt in the 18th century) and that Guillaume is under her wicked influence. She practices the art of black magic and by making die slowly all members of the Saint Lambert family she gains eternal beauty. When Duprey breaks the marble casket containing the ashes of the witch she shows her real aspect before dying. “Night of the Damned” is a pretty sleazy Italian Gothic horror with beautiful women and a good amount of nudity.
