José Vivó emerged in the 1970s as a notable figure in cult cinema, appearing in films that blend horror and exploitation. In Exorcism's Daughter (1971), he delivers a compelling performance that captures the era's fascination with the supernatural. His role in The Killer Is Not Alone (1975) further solidifies his presence in the genre, where he navigates a tense narrative filled with suspense. Additionally, his work in A Dog Called... Vengeance (1977) showcases his versatility within the gritty landscape of cult films.
The Killer Is Not Alone
Julio, an only child belonging to a wealthy family, murders a prostitute who tries to seduce him. He, in childhood, suffered severe trauma and this causes serious problems with women. Because of this, runs away and stays in a boarding house in Madrid, where he meets Monica, the daughter of the owner, who maintains relationships that seek to build on for help in their desperate situation. As his obsession for killing is increasing.
