Susan Westcott, active in the early 1970s, is known for her roles in cult cinema that explore the fringes of society. She appears in Hollywood Babylon (1972), a provocative film that delves into the scandalous tales of Tinseltown, and Blue Money (1972), which captures the gritty underbelly of urban life. Westcott's performances in Country Cuzzins (1972) and The Beauties and the Beast (1974) further showcase her contributions to the exploitation genre, making her a notable figure in the realm of cult and grindhouse films.
The Beauties and the Beast
After a brief description of the legends of Bigfoot by the narrator, this film goes on to show what the hairy monster might really be doing with his time in the woods: watching women get naked and have sex. After spying on a couple of college girls sleeping together in a remote forest cabin, Bigfoot then stumbles across a couple having sex in the woods. After he chases off the man to have a little fun of his own with the woman, the film then leaves Bigfoot to follow the exploits of the two college girls as they encounter a troupe of skinny-dipping hippies.
