Massimo Foschi, an Italian actor, made a notable impact in the world of cult cinema during the 1970s. He appears in The Labyrinth of Sex (1969), where he navigates the provocative themes of eroticism and desire, and showcases his versatility in Last Cannibal World (1977), a film that dives into the depths of survival horror. Foschi's performances in these films highlight his ability to engage with the more transgressive aspects of genre storytelling, making him a significant figure in the exploration of exploitation cinema.
Nine Guests for a Crime
Nine members of an extremely rich and hateful family have decided to have a reunion on a remote island in the Mediterranean. No sooner than their arrival, old grudges, resentments, and feuds make themselves known, along with allusions to some more macabre events in their past. But when their boats are sabotaged, thus stranding them without any connection to the mainland, it becomes clear that someone is not willing to let old wounds heal, a fact made all the more clear as bodies start to pile up.
