Paloma Hurtado emerged in the late 1970s, making her mark in the realm of cult cinema with her performances in The Traveller (1979) and The Beasts' Carnival (1980). In The Traveller, she captivates as a key figure in a narrative steeped in surrealism and intrigue. Her role in The Beasts' Carnival further solidifies her connection to the exploitation genre, where she navigates a world of chaos and dark humor. Hurtado's contributions to these films reflect the vibrant and often bizarre landscape of late 20th-century genre cinema.
The Traveller
The devil, following in the footsteps of Christ, decides to become flesh and take a stroll around Earth to see how humans have progressed, and have a little fun The mischief pretty much centres around whether he can get every good looking female he encounters into bed.
