Isabel Sarli, born in 1935 in Argentina, emerged as a defining figure in sexploitation cinema during the 1960s and 1970s. Discovered by director Armando Bó, she made her mark with films like The Female: Seventy Times Seven (1962) and Embrujada (1969), where her performances showcased both sensuality and a unique charm. Sarli's role in Fuego (1969) further solidified her status as a cultural icon, embodying the provocative spirit of her era. Her films have since been celebrated for their camp appeal, making her a beloved figure in the realm of cult cinema.
The Female: Seventy Times Seven
Cora is a prostitute in a bordello. Every night, she must look at a hole in the ceiling plaster left there by nibbling rats. The hole torments Cora as it triggers her memories. The ceiling blemish reminds her of the mistakes she made that led to horrible tragedies. This Argentinian drama is about one woman's struggle against hopelessness and regret.
