Born in Tianjin, China, on September 2, 1911, Lee Wan-Chung made significant contributions to the realm of cult cinema. He is best remembered for his roles in The Duel (1971), where he showcased his martial arts prowess, and Woman Prisoner No. 407 II (1976), which solidified his presence in the exploitation genre. His performances reflect the gritty essence of 1970s Hong Kong cinema, where he deftly navigated the complex narratives of action and drama. Lee's legacy continues to resonate within the cult film community.
Woman Prisoner No. 407 II
Kang-Hee attempts to escape from the jail with Chun-Ja, but fails and is transferred to the jail. The head of the prison builds a false escape way to get rid of her but fails. For his promotion is frustrated due to them. He tries to drown them in a reservoir, but fails again. At that moment, there is a fire in the prison due to prisoners’ mistake. Chun-Ja dies while helping other prisoners, and Kang-Hee, left alone, feels lonely. At that time, Kang-Hee tries to escape from the prison by the contact with Lee Hyeok. And with the help of Lee Hyeok, Kang-Hee gets rid of KatoWoo coming out of the court. People gathered around her helps her to run away and prevent pursuers from chasing her.
