David Bracks, an Australian actor, made his mark in the 1970s with a series of roles that resonate within the realm of cult cinema. He appears in Mad Dog Morgan (1976) as a key player in this gritty exploration of the life of bushranger Daniel Morgan, capturing the raw essence of the era. In Deathcheaters (1976), he further solidified his reputation, contributing to the film's blend of action and adventure. Bracks also features in Hostage (1983), where his performances reflect the unique storytelling that defines exploitation cinema.
Hostage
Christine is a young runaway working at the sideshow alley of a Carnival. Young, free, and flirty, she innocently ends up with fellow Carnival worker Walter Maresch, a young and handsome German man, never dreaming she'd become his hostage. His sadistic side slowly reveals itself and Christine is strong-armed into marriage. She's enticed to accompany him to West Germany where Walter rejoins his circle of Nazi sympathisers. Life becomes a living hell for Christine with her psychotic neo-Nazi husband who controls her every move. Her only hope to survive is to get back home to Australia. A cult favourite, this is one of the biggest Ozploitation films in Australian movie history and still captures enough of your attention as it did when it was first released 37 years ago. Kerry Mack is a natural in her role as Christine, while Ralph Schicha is easy on the eye but a little wooden in his performance. Judy Nunn was a bit of a surprise in the role of Mrs Lewis, Christine's mum, in no less than her best in her performance. She at least injected some life into the film. A sign of its times perhaps, with shades of being a B grade movie, in spite of the nightmare Christine went through, the film does not abound with intensity or excitement in the way it's filmed and is pretty laid back. However, one has to enjoy it for the era it was filmed in, much like you wouldn't want to change a silent movie or a Charlie Chaplin film. Its true story makes it one of the most enduring and significant films of Australian cinema in the 80s and is still very watchable.
