Romy Haag emerged as a notable figure in the 1980s underground film scene, bringing her unique perspective to the genre of erotic thrillers. In Mascara (1987), she delivers a compelling performance that navigates the complexities of identity and desire, set against a backdrop of vibrant, avant-garde aesthetics. Haag's work reflects the bold experimentation of the era, making her a significant contributor to the cult film landscape. Her role in Mascara showcases her ability to blend provocative themes with a distinctive cinematic style.
Mascara
A respected police commissioner has a reputation as a fervent opera lover, but by night he also enjoys plunging into the transvestite scene. In addition, he harbors a longing for his very own sister. When he learns that his wife has been murdered, he tries to implicate the set-designer who has designs on his sister.
