Vittorio Zarfati, an actor known for his role in The Fiend (1977), embodies the essence of Italian exploitation cinema. In this film, he navigates a world steeped in the bizarre, contributing to the unsettling atmosphere that defines the genre. His performance adds depth to the narrative, showcasing the unique blend of horror and surrealism that captivates cult film enthusiasts. Zarfati's involvement in The Fiend positions him within the rich tapestry of 1970s grindhouse cinema, where the grotesque and the bizarre reign supreme.
The Fiend
Dorreli is a low rank journalist, with a desk next to the toilet at Tribuna Sera newspaper. His correspondence contains a serial killer’s letters, which he exploits. Circulation jumps. It takes him a while to realise the identity of the killer. While all this is happening, Johnnie neglects his red head son. Intriguing Italian mix of comedy and giallo. We are closer to the Volonte thrillers than Dario Argento here. Top rank technicians on form, though Morricone has done more distinctive work. Formidable central performance and direction which manages to mix bad taste comedy, murder mystery and comment on contemporary press ethics, parenting and publicity.
