Ana Maria Miranda brings a unique presence to the cult classic How Tasty Was My Little Frenchman (1971), where she navigates the complex interplay of desire and identity in a provocative narrative. Set against the backdrop of Brazilian cinema, her performance captures the essence of the film's exploration of cultural and erotic themes. Miranda's work in this film contributes to the ongoing conversation around exploitation cinema, showcasing the bold storytelling and aesthetic choices that define the genre.
How Tasty Was My Little Frenchman
In 16th century Brazil rival French and Portuguese settlers are utilizing the indigenous people as allies in their struggle to establish control. The Tupinambás, who live in the Guanabara Bay area, are allied with the French, while the Tupiniquins are allied with the Portuguese. A Frenchman who has been captured by the Portuguese is then captured by the Tupinambás after they attack and kill a group of Portuguese. He tries to convince his captors by speaking in French (reciting the poem by Étienne Jodelle found in André Thévet's Singularities of France Antarctique) but the Tupinambás don't believe that the Frenchman was a prisoner of the Portuguese they have killed, and the Chief thinks he is Portuguese because "No Frenchman would shoot at the Tupinambá." The tribe's shaman predicted they would find a strong Portuguese man to cannibalize as revenge for the chief's brother being killed by a Portuguese musket ball. Now they have one. However, the Frenchman is allowed free run of the village area, is eventually provided with a "wife," and adopts traditional Tupinambá attire in place of his Western clothes. A French tradesman comes to the village and tells the Tupinambás that their prisoner is indeed Portuguese – he then promises the outraged Frenchman that he will tell the Tupinambás the truth if the Frenchman finds a hidden treasure that another European has hidden in the area. He also instructs him to collect wood, and pepper for him on his return. The relationship between the Frenchman and his Tupinambá "wife" remains enigmatic. It is unclear for most of the movie if she intends to save him from the group that wants to eat him, or if she has been assigned to win his trust and prevent him from escaping. The Frenchman gathers cannon powder from the abandoned Portuguese cannons, and brings it to the Tupinambás, who use it to defeat the rival Tupiniquins in battle. The Tupinambás then eat the Frenchman as celebration. In the last seconds of his life, the Frenchman refuses to play along with the ceremonial script that the Tupinambás expect him to follow and instead angrily (and loudly) tells the Tupinambás that his death will not revitalize them (as his death and the subsequent cannibal feast is intended to do) but rather will doom them all to extermination.
