Wang Fei
Wang Fei, active in the film industry from the early 1960s through the mid-1980s, is known for his role in Golden Queen's Commando (1982). In this film, he embodies the grit and intensity characteristic of the action-packed narratives of the era. His performances reflect the bold spirit of exploitation cinema, contributing to the film's cult status. As a key figure in the genre, Wang Fei's work resonates with fans of grindhouse and action films, solidifying his place in the annals of cult cinema.
Golden Queen's Commando
I’m not sure which came first, Golden Queen or Pink Force as they were both made in 1982(?) but these explosive action adventure Commando movies often have each other’s scenes spliced into one another. Personally I found Pink Force to be way more thrilling with its stronger western themes and total kookiness, but that doesn’t mean that this prison based flick is worse, but it has very different themes with an almost identical cast. Golden Queen Commando opens with some Visual Kei gang leader playing cards with some street gangster types when a fight breaks out despite her fast shooting the police crash the party and she’s sent to prison, other short vignettes for other criminal women (Black Fox, Clack Cat, Dynamite, Sugar Plum, Amazon, Brandy and Quick Silver (our stunning card shark)), each with their own special skill and extreme costume all end with them being sent to the same nazi war prison. Things being to heat up when one of the women starts to antagonise the others while getting a feeling for their strengths and weaknesses. And they slowly hatch a plan to escape and to kill the vile fat nazi warden and his henchmen and then head out to destroy a WWII nazi chemical lab. But not before they being total chaos and mayhem with their unique fighting skills, and all looking totally beautiful within the prison walls.. Control of tone is essential to any film but this is kicked into the wind and blasted to pieces, the film had no formula and that’s what makes it a marvellous and highly entertaining bonkers exploitations flick. The final act is highlighted with a soundtrack from Ennio Morricone which makes this a hash up of the Dirty Dozen (1967) / Magnificent 7 (1960)a la psychotronic style. Obviously there is a stunning finale and the scene which sees a spy outed is straight out of an X-Japan music video. All round fun and frolics that’s hard to ever forget.
