Born in 1937, Angie Ferro emerged from the vibrant Filipino film scene to leave her mark on cult cinema. In Kill Barbara with Panic (1974), she delivers a striking performance that embodies the film's chaotic energy. Ferro's career reflects the eclectic nature of exploitation cinema, where her roles often challenge societal norms. Her contributions to the genre serve as a testament to the rich tapestry of international cult films, making her a noteworthy figure in the conversation around cinematic subversion.
Kill Barbara with Panic
Barbara has always been overly indulgent of her little sister, Ruth's every whim. Her past comes back to haunt her when Barbara receives news that her younger sister has killed herself and was witnessed by Ruth's only daughter Karen. Barbara immediately returns to the Philippines to mourn her sister and comfort her unstable niece. Upon Barbara's return, she learns the reason surrounding Ruth's mysterious death.
