Ian McLellan Hunter, an influential writer in the realm of cult cinema, crafted compelling narratives for films like The Amazing Mr. X (1948) and The Outside Man (1972). His work often delved into the eerie and the mysterious, contributing to the atmospheric storytelling that defines these films. With a keen eye for suspense and character development, Hunter's scripts helped shape the tone of post-war thrillers and exploitation cinema, leaving a lasting impact on the genre.
The Outside Man
A contract on the life of Kovacs, a major California mobster, is given to Lucien, a hitman in France. Flying to Los Angeles, he checks into a hotel and drives out to the victim's luxurious home. Finding the man alone, he shoots him dead and makes his getaway. Back at the hotel, he discovers that his room has been stripped, including his passport and plane ticket. Emerging, he finds that he is being trailed by a hitman, who keeps trying to shoot him. To evade his pursuer, he takes a woman hostage and holes up in her apartment. On the TV news he sees the report of Kovacs' murder, but the description of the suspect does not fit him at all. With only a gun and some money, and being pursued, he cannot survive long. He calls up his boss in Paris, Antoine, who tells him to find an old friend, Nancy, who works in a topless bar. She hides him and organises a passport. When Lucien's pursuer, Lenny, finds the two of them in a motel, Lucien captures him and explains the situation. Lucien was hired to eliminate Kovacs and Lenny was hired to eliminate Lucien, but who hired them? The answer is clear: it was Kovacs' son, who has inherited his father's profitable empire and his trophy wife. The two agree to tackle young Kovacs, but fall out and Lenny is killed. Antoine arrives from Paris to attend old Kovacs' funeral, which ends in a shoot-out. Antoine kills young Kovacs, but is then shot dead by the police. Lucien gets away, but dies of gunshot wounds.
