Erminio Bianchi Fasani, a notable actor in the realm of Italian exploitation cinema, appears in Emanuelle in America (1977) and Play Motel (1979). His performances encapsulate the provocative essence of the 1970s, a decade defined by bold narratives and experimental storytelling. In Emanuelle in America, he navigates the complex themes of desire and liberation, while in Play Motel, he contributes to the film's exploration of eroticism and suspense. Fasani's work in these films reflects the audacious spirit of cult cinema, cementing his place in this unique genre.
Play Motel
Patrizia and Roberto, theatrical actors and spouses, after having stayed at the Play Motel, accidentally find a body in the trunk of their car. They leave the car at the scene and go to call the police, and when they arrive, they discover with amazement the removal of the body, which is then found in a completely different place: the police then discover that it was Maria Luisa Longhi, wife of Commendator Rinaldo Cortesi. At the request in particular of Patrizia, the two spouses improvise as investigators to help the police solve the case.
