Mehmet Ali Akpınar, an actor known for his roles in cult cinema, brings a unique presence to the screen in Tarkan and the Silver Saddle (1970) and Cellat (1975). His performances capture the essence of the era, merging action and adventure with the distinctive flair of Turkish genre films. In Tarkan and the Silver Saddle, he contributes to the thrilling exploits of the iconic character, while in Cellat, he navigates the darker themes of revenge and justice. Akpınar's work exemplifies the rich tapestry of 1970s exploitation cinema.
Tarkan and the Silver Saddle
Attila the Hun gives a silver saddle to Altar as a gift. The intention of Kostok is get rid of the Huns, and seize the valuable saddle. Little Tarkan who is compulsory abandoned by his foster-mother is remains all alone. His cry attracts the attention of a wolf and the wolf magnifies him like his own cub. Tulga finds him in a village. Years pass - Tulga trains Tarkan and tells about past events. No longer Tarkan will avenge and he will take back the saddle passing into the hands of Kostok
