Mary Larkin emerged in the early 1970s as a notable presence in cult cinema, appearing in Zee and Co. (1972) and Psychomania (1973). In Zee and Co., she delivers a performance that captures the essence of the era's exploration of complex relationships. Her role in Psychomania further solidifies her connection to the gritty undercurrents of British exploitation films, where she embodies the rebellious spirit of the time. Larkin's work contributes to the rich tapestry of cult film, reflecting the bold narratives and unconventional characters that define this genre.
Zee and Co.
Zee Blakely is a loud, coarse, 40-something socialite, whose marriage to her architect husband Robert is on the rocks as witnessed by their frequent verbal sparring matches. Sick of Zee's antics, Robert is drawn to quiet boutique owner Stella who is the complete antithesis to Zee in terms of personality. Feeling bored and rejected, Zee attempts a number of methods to regain Robert's sympathy, such as attempting suicide, but these do not work. Zee discovers that Stella had a lesbian affair in the past, and uses this against both her and Robert and then dares him to partake in a love triangle with Stella.
