Rocco Lerro, an Italian actor active in the 1960s and 1970s, made a significant impact in the world of cult cinema. He appears in An Angel for Satan (1966) as a key figure in the film's dark narrative, and in Massacre Time (1966), where he navigates the violent landscape of spaghetti westerns. His performances in The Hellbenders (1967) and Street Law (1974) showcase his versatility in gritty roles that resonate with fans of exploitation cinema. Lerro's contributions to these films highlight the era's unique blend of genre and style.
An Angel for Satan
The Countess of Montebruno, returning to her birthright, requests an old statue revealed in a lake be refurbished by an artist, despite it being associated with a curse. Mysterious deaths being to occur with the villagers associating it with the return of the Countess Harriet Montebruno and the statue. The Countess' personality begins to change, taking on the personna of Belinda, the woman of the statue, seducing and influencing the villagers towards her will. The artist remains suspicious and believes not all is what it appears to be.
