Born in 1904, Henri Vilbert was a French actor whose career spanned over six decades, leaving a significant mark on the cinematic landscape. In The Pariah (1972), he delivers a compelling performance that reflects the gritty essence of exploitation cinema. With a filmography exceeding a hundred titles, Vilbert's work in the realm of cult films adds depth to the genre, illustrating the evolution of French cinema through the years. His contributions remain a fascinating chapter in the history of cult and exploitation films.
The Pariah
Episodic portrait of a criminal, from 1934 until after the war. Roberto Borgo is tough, cool, sardonic, loyal, and deadly. He comes to Marseilles to help his friend Xavier Saratov get out of jail, first killing a local brothel and casino boss to take over the businesses, and, with the help of Xavier's sister, Georgia, amass money for Xavier's defense. Xavier loses in court, so Roberto gets himself thrown in prison to be with his friend. Escape proves futile, but they are pardoned in exchange for working as sappers. After the war, Xavier is a bitter cripple, but Roberto remains detached, extorting ownership of a casino, which puts his friends at risk. Does he care?
