Peter Rowe, a director known for his unique vision, helmed Take Two (1987), a film that satirizes the chaotic world of filmmaking. Set against the backdrop of the 1980s, Rowe's work captures the eccentricities of its characters, reflecting the era's playful yet critical take on the industry. With a keen eye for the absurd, Rowe's direction in Take Two adds a layer of cult appeal, making it a notable entry in the realm of exploitation cinema.
Take Two
On her deathbed a woman tells her son that 30 years before she had been a surrogate mother for a millionaire, and that he is that baby's identical twin. He goes to Los Angeles to try and get some of the inheritance, but his brother refuses to even talk to him. So he gets an apartment across from his brother and begins a stakeout as he writes a tabloid story about it, and begins to fall in love from a distance with his brother's wife.
