Robert Buckingham, active in the 1960s, made his mark in cult cinema with memorable performances in Strange Bedfellows (1965) and Banning (1967). Known for his engaging screen presence, he navigated the comedic and dramatic elements of these films with ease. In Strange Bedfellows, Buckingham's role adds a layer of complexity to the narrative, while in Banning, he complements the film's exploration of personal conflict and intrigue. His contributions to these titles reflect the unique charm of the era's cult films.
Strange Bedfellows
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he's married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?
