Marpessa Dawn, born in 1934 in Pittsburgh, Pennsylvania, carved a niche in cult cinema with her striking performances. In Womaneater (1958), she embodies a character caught in a bizarre narrative that blends horror and exploitation, while her role in Sweet Movie (1974) showcases her versatility in a surreal exploration of sexuality and politics. Dawn's contributions to Private Collections (1979) further solidify her status as a compelling actress who navigated the complexities of genre cinema with an engaging presence.
Private Collections
The Three Masters Of International Erotica Come Together For One Provocative Collection... Uncut And Uncensored For The First Time Ever In America! For legendary producer Pierre Braunberger (SHOOT THE PIANO PLAYER), it was the most enticing of challenges: Invite the three most controversial directors in modern erotic cinema to indulge their fantasies in one daring film. The result remains one of the most uniquely sensual motion pictures of our time. In the first story from director Just Jaeckin (EMMANUELLE, GWENDOLINE), a castaway sailor is rescued by a tribe of succulent native women - led by the stunning Laura Gemser of BLACK EMANUELLE fame - who soon reveal their most unusual appetites. Then director Shuji Terayama (FRUITS OF PASSION) explores the haunting tale of a Japanese boy seduced by the riddle song of a village madwoman. And in the bold adaptation of a short story by De Maupassant, director Walerian Borowczyk (IMMORAL WOMEN, THE BEAST) reveals the torrid liaison between a Parisian gentleman, a Follie Bergere prostitute and an unexpected surprise that hides in the night.
