Roger Ewing, an actor known for his role in the 1972 film Play It as It Lays, brings a unique presence to the exploration of psychological complexities in cult cinema. His performance in this film reflects the era's fascination with the disintegration of personal relationships and societal norms. Ewing's involvement in Play It as It Lays adds depth to the film's critique of modern life, making him a noteworthy figure in the conversation surrounding exploitation and experimental narratives.
Play It as It Lays
Former model Maria Wyeth, who comes from a Nevada town with a population of 28, is now a successful actress. Unhappily married to, and separated from, temperamental producer Carter Lang, she is also chronically depressed and institutionalized. Reflecting back on what brought her to the asylum, Maria recalls driving around Los Angeles in her yellow Chevrolet Corvette and spending time with her closest friend, B.Z. Mendenhall, an unhappy man who is gay. Maria has a brain-damaged daughter, Kate, who is being kept in a sanitarium at the insistence of Carter, who resents Maria’s visiting the girl so frequently. Maria's secret desire is to live somewhere with Kate and find some kind of joy in life together. Maria has been having an affair with Les Goodwin, a screenwriter. When she tells Carter that she’s pregnant with Goodwin’s child, he demands that she get an abortion. Maria goes to Las Vegas and has a fling with a mob-connected lawyer, Larry Kulik. She later returns to L.A. and has a one-night stand with Johnny Waters, a television star who needs to watch his own show on TV in order to get in the mood for sex. Bored and depressed, Maria steals Johnny's car and speeds off. When she is stopped by police, drugs are found in the car and she is placed under arrest. With her spirits at an all-time low, Maria returns to Las Vegas and finds that B.Z. is equally unhappy. When B.Z. swallows a handful of pills and washes them down with vodka, Maria, rather than calling for help, cradles him and watches him die. Back at the asylum, a psychiatrist asks Maria why she keeps on playing when she knows what “nothing” (nihilism) really means. She replies, "Why not?"
