Alan Curtis, an actor active in the early 1970s, is known for his roles in provocative cult films. He appears as the lead in Die Screaming Marianne (1971), a tale of obsession and deceit, and showcases his versatility in The Flesh and Blood Show (1972), where he navigates the complexities of a theater troupe caught in a web of horror. Curtis also features in The Four Dimensions of Greta (1972) and Tiffany Jones (1973), both of which highlight the era's penchant for blending eroticism with thriller elements, solidifying his place in the realm of exploitation cinema.
The Flesh and Blood Show
An anonymous producer assembles a group of unemployed actors and actresses to be in a play, rehearsing in an abandoned theatre beside the sea. A murderer, who wears black gloves, kills all of the actors in various ways. The murderer is later revealed to have previously been an actor, who trapped his wife and her new lover in the wall, re-emerging 30 years later to commit murder again.
