Rolf Eden, a notable figure in the realm of European exploitation cinema, made his mark in the late 1960s and early 1970s. He appears in The New Life Style (Just to Be Love) (1968), where he navigates the complexities of love and desire, and in Should a Schoolgirl Tell? (1969), a provocative exploration of youthful innocence. His role in The French Sex Murders (1972) further solidifies his connection to the gritty narratives that define cult cinema. Eden's performances reflect the era's boldness and the genre's penchant for pushing boundaries.
Should a Schoolgirl Tell?
Schoolgirl Josefine learns from an early age to use sex to gain advantages. The school's gym teacher is arrested and accused of indecent behavior but the court dismisses the case when Josefine uses her female charm on the jurors.
