Joel Holt, an influential figure in the realm of cult cinema, made his mark as both an actor and director in the early 1960s. He directed and starred in All of Me (1963), showcasing his dual talents in a film that blends comedy and exploitation. Holt also appeared in notable works like Olga's House of Shame (1964) and White Slaves of Chinatown (1964), where his performances contributed to the gritty allure of the era's grindhouse aesthetic. His involvement in these films underscores the provocative narratives that define the genre.
The 'Imp'probable Mr. Wee Gee
Famed crime photographer Arthur Fellig, nicknamed Mr. Wee Gee, stars as himself in this pseudo-documentary that begins when he falls in love with a store window dummy and tracks "her" to London, England, then meets up with a beautiful ghost in a haunted house and finally winds up in Paris, where he meets other beautiful women and ends up being chased onto the Eiffel Tower.
