Born in the 1940s, Yuji Makiguchi emerged as a director in the 1970s, carving a niche in the cult film landscape. His work on Nuns That Bite (1977) showcases his ability to blend eroticism with horror, creating a provocative exploration of taboo themes. With a keen eye for the bizarre and unconventional, Makiguchi's films resonate within the grindhouse aesthetic, making him a notable figure in the annals of exploitation cinema. His contributions invite viewers to engage with the darker, more eccentric sides of storytelling.
Nuns That Bite
A woman on the run is raped, rescued, then raped again. Escaping, she heads for the hills and finds safe haven at a convent. After becoming a postulant (trainee nun), she catches her fellow sisters engaging in lesbianism, fighting over nothing, hurling snakes at each other, and engaging in mild flesh eating.