Elio Zamuto, an actor active in the 1970s, brings a distinctive flair to cult cinema through his roles in Werewolf Woman (1976) and The Nurse in the Military Madhouse (1979). In Werewolf Woman, he navigates the bizarre and surreal landscape of exploitation horror, while in The Nurse in the Military Madhouse, he adds depth to the chaotic world of military satire. Zamuto's performances reflect the era's fascination with the outrageous and the absurd, making him a compelling figure in the realm of grindhouse cinema.
The Nurse in the Military Madhouse
Grazia Mancini is an aspiring night club singer. Her boss Eva has a lover, John who is a trafficker of stolen artworks. The two learn of valuable paintings hidden in a military mental asylum managed by mentally unstable Professor Amedeo Larussa. They blackmail Grazia and send her to the mental asylum in the guise of a substitute nurse to learn the whereabouts of the paintings.
