Alain Mottet, born in 1928 in Lyon, France, carved a niche in the world of cult cinema with his role in The Pariah (1972). Known for his compelling performances, Mottet often took on secondary roles that added depth to the narratives he was part of. In The Pariah, he contributes to the film's exploration of societal fringes and moral ambiguity, showcasing his ability to embody complex characters. His extensive career also included notable television appearances and stage work, reflecting a dedication to the performing arts that spanned decades.
The Pariah
Episodic portrait of a criminal, from 1934 until after the war. Roberto Borgo is tough, cool, sardonic, loyal, and deadly. He comes to Marseilles to help his friend Xavier Saratov get out of jail, first killing a local brothel and casino boss to take over the businesses, and, with the help of Xavier's sister, Georgia, amass money for Xavier's defense. Xavier loses in court, so Roberto gets himself thrown in prison to be with his friend. Escape proves futile, but they are pardoned in exchange for working as sappers. After the war, Xavier is a bitter cripple, but Roberto remains detached, extorting ownership of a casino, which puts his friends at risk. Does he care?
