Ray Marsh, a director known for his distinct vision, helmed Lord Shango (1975), a film that delves into the mystical world of voodoo and its cultural implications. Set against the backdrop of 1970s exploitation cinema, Marsh's work captures the era's fascination with the supernatural and the occult. His direction in Lord Shango not only showcases the genre's stylistic flair but also reflects the broader cultural dialogues of its time, making it a significant entry in the catalog of cult films.
Lord Shango
Black African Christians confront the traditional religion of their peers when a Yoruban priest is drowned after attempting to stop the Christian baptism of a young girl and her mother. Trouble ensues when the priest comes back to life.
