Judith Magre, born in 1926 in France, brings a distinctive presence to Woman Times Seven (1967), where she navigates the complexities of female identity through multiple vignettes. Her performance highlights the film's exploration of women's lives and desires, making her a significant figure in the realm of cult cinema. With a career that spans decades, Magre's contributions to the genre resonate through her ability to embody diverse characters, reflecting the evolving narratives of women on screen.
Woman Times Seven
Seven mini-stories of adultery: "Funeral Possession," a wayward widow at her husband's funeral; "Amateur Night," angry wife becomes streetwalker out of revenge; "Two Against One," seemingly prudish girl turns out otherwise; "Super Simone," wife vainly attempts to divert her over-engrossed writer husband; "At the Opera," a battle over a supposedly exclusive dress; "Suicides," a death pact; "Snow," would-be suitor is actually a private detective hired by jealous husband.
