Alberto Rabagliati, an actor known for his work in the 1960s, appears in Panic Button (1964), a film that delves into the psychological turmoil of its characters. Set against a backdrop of tension and fear, Rabagliati's performance captures the essence of the era's exploration of human desperation. His role adds depth to the film's unsettling narrative, making it a notable entry in the realm of cult cinema. Through his contribution, Rabagliati helps to elevate the film's chilling atmosphere, resonating with fans of exploitation and psychological horror.
Panic Button
Faced with the ruinous prospect of having to pay income tax on $500,000, business executive Frank Pagano decides to invest the money in a project that he believes is doomed to financial ruin: a television pilot film based on the story of Romeo and Juliet. Pagano hires Pandowski, an eccentric disciple of Stanislavski, to direct the film and casts Philippe Fontaine, a faded French actor long forgotten in Hollywood, as Romeo. For the role of Juliet, Pagano hires Angela, a starlet with a voluptuous body but no talent. When the film is finished, Philippe and his ex-wife Louise steal a print and, disguised as nuns, take it to the Venice Film Festival. The film is mistaken for a satire by the festival jury and is awarded the Golden Lion for the best comedy. Fontaine swallows his wounded pride and accepts his new reputation as a comedian. Pagano arrives on the scene and, making the best of the situation, decides to become a film producer.
