Gennie Nevinson emerged in the 1970s as a distinctive presence in cult cinema, known for her work in I Am a Groupie (1970) and I'm Not Feeling Myself Tonight (1976). In I Am a Groupie, she embodies the free-spirited essence of the era, while in I'm Not Feeling Myself Tonight, she explores the complexities of desire and identity. Nevinson's performances in these films contribute to the rich tapestry of exploitation cinema, showcasing the bold narratives and characters that define the genre.
I'm Not Feeling Myself Tonight
Virginal nerd Jon Pigeon works in a peculiar sex research institute in which patients run about the corridors naked, nude aerobics are encouraged and where no man is safe from a crotch-grabbing old tea-lady. In order to seduce office secretary Cheryl, Pigeon invents a machine nicknamed Agnes which emits a 'sonic aphrodisiac' that can turn any man or woman into an over-lustful sex maniac. While his attempts to zap Cheryl end in disaster, Pigeon has some fun turning the 'sexy ray' on his bullying boss Nutbrown and clean-up campaigner Mary Watchtower.
