Santiago Ontañón, born in 1903, made his mark in the world of cult cinema through his performances in Marquis de Sade: Justine (1969) and Death Haunts Monica (1976). His work reflects the provocative themes of exploitation and eroticism that define these films, showcasing his ability to inhabit complex characters. Ontañón's contributions to the genre highlight the intersection of art and performance, making him a notable figure in the landscape of Spanish cult cinema.
Death Haunts Monica
The marriage between Federico and Monica is on the rocks. Federico has a mistress named Eva. There is a conspiracy between Monica's friend Elena and Eva to take over the company Eurozone owned by Federico. The situation becomes complicating when Diego appears, Federico's former associate.
