Michel Peyrelon, an actor active in the early 1970s, brings a distinctive flair to the world of cult cinema with his performances in Docteur Popaul (1972) and The Pariah (1972). His roles in these films highlight the provocative themes and bold narratives characteristic of the era. In Docteur Popaul, he navigates the complexities of human relationships, while in The Pariah, he embodies the struggles of marginalized characters, reflecting the gritty realism of exploitation cinema. Peyrelon's work remains a testament to the unique storytelling found in the genre.
The Pariah
Episodic portrait of a criminal, from 1934 until after the war. Roberto Borgo is tough, cool, sardonic, loyal, and deadly. He comes to Marseilles to help his friend Xavier Saratov get out of jail, first killing a local brothel and casino boss to take over the businesses, and, with the help of Xavier's sister, Georgia, amass money for Xavier's defense. Xavier loses in court, so Roberto gets himself thrown in prison to be with his friend. Escape proves futile, but they are pardoned in exchange for working as sappers. After the war, Xavier is a bitter cripple, but Roberto remains detached, extorting ownership of a casino, which puts his friends at risk. Does he care?
