Marijan Vajda, born in Yugoslavia, made his mark in the world of cult cinema with his direction of Bloodlust (1977). This film delves into the complexities of human desire and obsession, showcasing Vajda's ability to navigate the darker themes often found in exploitation cinema. His unique vision contributes to the rich tapestry of genre filmmaking, making Bloodlust a significant entry in the exploration of erotic thrillers. Vajda's work stands as a testament to the provocative narratives that define cult cinema.
Bloodlust
Haunted by a childhood trauma… a deaf-mute accountant develops a fixation with blood spilling across his skin. Brief flirtations with ketchup and red ink seem to satisfy him at first, but he soon develops a taste for the real thing. Though he nurses a weird fascination for a neighbourhood girl who passes the time by dancing on the rooftop, he remains socially withdrawn with his co-workers and can’t even find comfort in the arms of a streetwalker. One night, he breaks into the property of the local undertaker and ravages the prettiest female corpse. Now addicted, he habitually raids the tombs of the dead and drinks blood from their throats via a spiked, double-pronged glass straw. Authorities and citizens are incensed by these crimes and the search is on for this modern day vampire…
