Born in Norway, Lillian Müller began her career as a model before transitioning to acting in the 1970s. She made her mark in cult cinema with her roles in Some Like It Cool (1977), where she embodies the vibrant spirit of the era, and The Devil and Max Devlin (1981), showcasing her ability to blend comedy with a touch of the supernatural. Müller's performances in these films reflect the playful and often outrageous tone of exploitation cinema, making her a noteworthy figure in the genre.
Stewardess School
A group of varied misfits (including a former prostitute/stripper and a bumbler who can't see more than 6 inches in front of his face) enter a school to become flight attendants. Somehow, the group makes it through to the final test: a cross-country flight.
