John Bard Manulis delivers a compelling performance in Days of Wine and Roses (1962), where he navigates the complexities of love and addiction. This film, emblematic of the early 1960s, reflects the era's raw emotional depth and societal challenges. While his filmography may be limited, Manulis's role in this poignant narrative adds a significant layer to the exploration of human relationships within the cult cinema landscape.
Days of Wine and Roses
Working in a public relations firm as an account executive, Joe Clay feels like he needs to drink as part of his job. But he enjoys this aspect of work. While at a client party, Joe meets his client's secretary, Kirsten Arnesen. Despite an initial dislike of Joe, Kirsten eventually goes out on date with him. She is a non-drinker who neither likes the taste of alcohol or feels the need for its effects. But based on her addiction to chocolate, Joe does start her on alcohol consumption with the chocolate-tasting Brandy Alexander. Joe and Kirsten fall in love, get married, and start a family. But as the stresses of work start to pile up, Joe's drinking increases and he pressures Kirsten into joining him to drown his sorrows. Alcohol soon becomes their main focus, and this rapidly destroys both their personal lives and Joe's professional life. Kirsten's father, hardworking nurseryman Ellis Arnesen, wants to help, specifically his daughter, but he has a difficult time forgiving Joe who introduced her to drinking. Despite Joe finally coming to the realization that alcohol is the main problem in their lives (Joe states that the reflection of a bum he saw in a window was himself), they must admit that they are indeed alcoholics and that they can never have alcohol again before they can even think of reclaiming their lives. Beyond that, they must be able to stay away from liquor, which may be impossible.
