Born in the mid-1940s, June Roberts emerged as a prominent figure in the sexploitation genre during the 1960s. She captivated audiences with her performances in films like The Pink Pussy: Where Sin Lives (1964) and The Sin Syndicate (1965), where her roles often explored the fringes of desire and taboo. With appearances in Chained Girls (1965) and The Beast That Killed Women (1965), Roberts contributed to the provocative narratives that defined an era of underground cinema, cementing her legacy within the realm of cult film.
The Sin Syndicate
Michael Findlay’s film debut displays the same disgust with women and overall contempt for humanity that has made his later films such appalling classics. Young women start out as strippers in the big city, but end up in the clutches of “The Syndicate”. Unrelentingly nasty, full of hard-boiled narration.
