Charles Spaak, a prolific writer born in the early 20th century, has made significant contributions to cult cinema with his scripts for The Amazons (1973) and Cartouche (1962). His work often blends adventure with a touch of the erotic, exemplifying the spirit of exploitation cinema. In The Burning Court (1962), he crafts a narrative steeped in mystery and intrigue, showcasing his ability to engage audiences with complex plots. Spaak's writing not only defines the films he contributed to but also enriches the broader conversation around genre cinema.
The Burning Court
Historian Michel Boissard (Walter Giller), is invited with his wife Marie (Édith Scob), a descendant of Madame de Brinvilliers, the notorious poisoner, to the château of Mathias Desgrez (Frédéric Duvallès). Mathias Desgrez is a descendant of the last lover of the Marchioness, who denounced her. Mathias is adept in the occult arts, which he practises with his friend Dr. Hermann (Antoine Balpêtré). To the château come Marc Desgrez (Jean-Claude Brialy), and Stephane Desgrez (Claude Rich), nephews of Mathias, who are waiting impatiently for their inheritance. The wife of Marc, Lucy (Perrette Pradier) also has hopes. And Marc's mistress Myra (Nadja Tiller) who is Mathias' personal nurse, would like to accelerate Marc's uncle's death. Mathias himself is fascinated by Marie Boissard. One night, a little time later, Mathias dies having received a visit from a mysterious woman bringing him medications, and is seen by a servant. Mathias is buried and then his body disappears just when the analysis proves that he has undoubtedly been poisoned. By whom? Lucy - eager to inherit? Myra - to please her lover? Marie - to avenge her betrayed ancestor, by the ancestor of Mathias? Inspector Krauss (Claude Piéplu) enquires into the matter.
