Nicolas Vogel, born in Paris in 1925, made a notable impact on the cult cinema landscape with his role in The Pariah (1972). This film, rich in its exploration of societal outcasts, showcases Vogel's ability to embody complex characters. His career flourished during the 1960s and 1970s, where he became recognized for his comedic timing and versatility. In The Pariah, he contributes to the film's gritty narrative, solidifying his place in the realm of exploitation cinema.
The Pariah
Episodic portrait of a criminal, from 1934 until after the war. Roberto Borgo is tough, cool, sardonic, loyal, and deadly. He comes to Marseilles to help his friend Xavier Saratov get out of jail, first killing a local brothel and casino boss to take over the businesses, and, with the help of Xavier's sister, Georgia, amass money for Xavier's defense. Xavier loses in court, so Roberto gets himself thrown in prison to be with his friend. Escape proves futile, but they are pardoned in exchange for working as sappers. After the war, Xavier is a bitter cripple, but Roberto remains detached, extorting ownership of a casino, which puts his friends at risk. Does he care?
