Stafford Morgan, active in the 1970s, carved out a niche in the realm of cult cinema with his appearances in films like Run, Angel, Run! (1969) and The Witch Who Came from the Sea (1976). Known for his roles in exploitation and grindhouse films, he brings a distinctive presence to the screen, whether in the gritty action of Cleopatra Jones (1973) or the bizarre narrative of Hollywood Man (1976). Morgan's contributions to these films reflect the raw energy and unconventional storytelling that define the genre.
The Witch Who Came from the Sea
In California, Molly is a deranged woman that babysits her nephews while her sister works hard sewing clothes for her clients. Molly works as waitress in a restaurant in the night shift and is the lover of the owner. She has fantasies with other handsome men. But Molly has also recollections of her childhood, when she was sexually abused by her father. Her insanity leads her to a murderous crime spree against men.
