María Pía emerged in the late 1960s, making her mark in the world of cult cinema with her roles in Infrasexum (1969) and Flesh and Bullets (1985). In Infrasexum, she navigates the provocative themes of eroticism and societal norms, while in Flesh and Bullets, she dives into the gritty underbelly of crime and desire. Her performances encapsulate the raw energy of exploitation films, contributing to the distinct flavor of the genre and cementing her place in the annals of cult film history.
Flesh and Bullets
A sex-filled re-imagining of Hitchcock's "Strangers on a Train", a duo of unhappily married men, both of whom have bloody pasts, meet in Las Vegas and hatch a scheme to murder each other's ex wives. However, in the process of preparing for their deadly plot, they become romantically attached to each of their targets. Will they be able to pull off the perfect murders or will love get in the way?
