Carlo Reali, an Italian actor, brings a distinct flair to the world of cult cinema with his roles in films like Blackie the Pirate (1971) and The Fiend (1977). In They Called Him Bulldozer (1978), he embodies the spirit of the era, contributing to the film's comedic and action-packed narrative. Reali's work in Banana Joe (1982) further cements his place in the realm of exploitation films, where his performances resonate with fans of offbeat and unconventional storytelling.
The Fiend
Dorreli is a low rank journalist, with a desk next to the toilet at Tribuna Sera newspaper. His correspondence contains a serial killer’s letters, which he exploits. Circulation jumps. It takes him a while to realise the identity of the killer. While all this is happening, Johnnie neglects his red head son. Intriguing Italian mix of comedy and giallo. We are closer to the Volonte thrillers than Dario Argento here. Top rank technicians on form, though Morricone has done more distinctive work. Formidable central performance and direction which manages to mix bad taste comedy, murder mystery and comment on contemporary press ethics, parenting and publicity.
