Samantha Eggar, born in 1939 in Hampstead, England, made her mark in the 1960s with a series of compelling performances in cult cinema. She appears as the enigmatic protagonist in Psyche 59 (1964), showcasing her ability to navigate psychological complexities. In The Lady in the Car with Glasses and a Gun (1970), Eggar further solidified her status in the erotic thriller genre, captivating audiences with her portrayal of a woman caught in a web of intrigue. Her work in films like The Dead Are Alive! (1972) and Welcome to Blood City (1977) continues to resonate within the realms of exploitation and grindhouse cinema.
The Hot Touch
A master art forger and his partner in crime, an art expert who can vouch for the authenticity of the forgeries, are making a bundle. An art dealer figures out their scheme but agrees to keep quiet if they forge some art lost in WWII.
